Get a Sneak Peek at 730 Steps!

Devising Duklida: Joseph Lavy (R) provides feedback to ensemble members (clockwise from L) Emily Jo Testa, Tyler Polumsky, Matt Sherrill, and Annie Paladino during the devising process.

Devising Duklida: Joseph Lavy (R) provides feedback to ensemble members (clockwise from L) Emily Jo Testa, Tyler Polumsky, Matt Sherrill, and Annie Paladino during the devising process.

Please join us Friday, July 28, for a full rendering of our work-in-progress on 730 Steps.

 

This was the culmination of a year’s work, which began July 23, 2016, with a reading of the initial rehearsal script. As with any new-work, and especially with source material of the scope and complexity of Dostoevsky’s Crime and Punishment, the generative phase of our development process has been richly rewarding. We now have a wealth of material to put in front of an audience for feedback.

What is a rendering?

Akropolis uses “rendering” as a particular term of art. On the one had, there is the common sense definition related to performance and the word rendition: representing or depicting something artistically; causing something to be; submitting something for inspection. However, in our work “rendering” always incorporates an older meaning that is less commonly used today: melting something down; extracting parts; or clarifying (as with butter). For APL, a rendering is always an opportunity through performance — whether for an audience of 100 or 1 — to present work for inspection for the express purpose of clarifying it, identifying parts to cut, rearrange, or reshape.

 

The July 28 rendering is an important part of 730 Steps’ development process. The feedback we receive will help us shape the final form of this massive production!

You can expect to see scene work developed to date, in continuous performance. Where there is material still to be devised for major plot points, we will represent that material in a more temporary performance manner. While the finished piece will incorporate music, we will not perform music as part of the rendering. Actors will be in costume. Major props and set pieces will be used, and there will be basic theatrical lighting. Audience will be seated on 3 sides of the action on padded chairs, and there will be risers for optimal viewing.

Plan for a 4 hour viewing. The rendering begins at 7:30 pm. You are welcome to arrive as early as 7:00 pm. Light refreshments will be provided.

This one-night event is free and open to the public. However, to comply with the wishes of our donated venue, we ask that you send us an email requesting an invitation. Seating is limited, and invitations will be sent out by email on a first-come, first-served basis.

We hope you will join the ensemble around the table afterwards to talk about your observations!

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This project is sponsored, in part, by a grant from 4Culture.
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About Akropolis Performance Lab

Founded in 2000 by Co-Artistic Directors Joseph and Zhenya Lavy, Akropolis Performance Lab (APL) is Seattle's premiere ensemble-based theatre company. The ensemble practices rigorous, ongoing vocal and physical training and devises original work through long-form rehearsal process. APL's signature aesthetic, Theatre of Polyphony, is our original approach to crafting ensemble performance events that symbiotically interweave music, movement, and poetry to tell compelling and vital stories while reinventing the given spatial location and audience relationship to our art. Company members include Annie Paladino (Associate Artistic Director), Catherine Lavy, Emily Jo Testa, Jennifer Crooks, Joseph Lavy, Margaretta Campagna, Matt Sherrill, Sara Kaus, Tyler J. Polumsky, and Zhenya Lavy. The co-artistic directors' artistic lineage comes through the Central and Eastern European heritage of Meyerhold, Vakhtangov, and Grotowski. Recent work includes Ecce Faustus (2016), The Glas Nocturne (2015), and Pomegranate & Ash (2015). The ensemble hosts quarterly Salons and offers regular workshops in physical and vocal praxis. Akropolis Performance Lab is a Washington State Non-Profit Corporation.
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