Get a Sneak Peek at 730 Steps!

Devising Duklida: Joseph Lavy (R) provides feedback to ensemble members (clockwise from L) Emily Jo Testa, Tyler Polumsky, Matt Sherrill, and Annie Paladino during the devising process.

Devising Duklida: Joseph Lavy (R) provides feedback to ensemble members (clockwise from L) Emily Jo Testa, Tyler Polumsky, Matt Sherrill, and Annie Paladino during the devising process.

Please join us Friday, July 28, for a full rendering of our work-in-progress on 730 Steps.

 

This was the culmination of a year’s work, which began July 23, 2016, with a reading of the initial rehearsal script. As with any new-work, and especially with source material of the scope and complexity of Dostoevsky’s Crime and Punishment, the generative phase of our development process has been richly rewarding. We now have a wealth of material to put in front of an audience for feedback.

What is a rendering?

Akropolis uses “rendering” as a particular term of art. On the one had, there is the common sense definition related to performance and the word rendition: representing or depicting something artistically; causing something to be; submitting something for inspection. However, in our work “rendering” always incorporates an older meaning that is less commonly used today: melting something down; extracting parts; or clarifying (as with butter). For APL, a rendering is always an opportunity through performance — whether for an audience of 100 or 1 — to present work for inspection for the express purpose of clarifying it, identifying parts to cut, rearrange, or reshape.

 

The July 28 rendering is an important part of 730 Steps’ development process. The feedback we receive will help us shape the final form of this massive production!

You can expect to see scene work developed to date, in continuous performance. Where there is material still to be devised for major plot points, we will represent that material in a more temporary performance manner. While the finished piece will incorporate music, we will not perform music as part of the rendering. Actors will be in costume. Major props and set pieces will be used, and there will be basic theatrical lighting. Audience will be seated on 3 sides of the action on padded chairs, and there will be risers for optimal viewing.

Plan for a 4 hour viewing. The rendering begins at 7:30 pm. You are welcome to arrive as early as 7:00 pm. Light refreshments will be provided.

This one-night event is free and open to the public. However, to comply with the wishes of our donated venue, we ask that you send us an email requesting an invitation. Seating is limited, and invitations will be sent out by email on a first-come, first-served basis.

We hope you will join the ensemble around the table afterwards to talk about your observations!

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This project is sponsored, in part, by a grant from 4Culture.
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The Director, The Actor & The Difficult Task

I often reject during the rehearsal process suggestions and recommendations which arise as quick, easy solutions to perceived problems; usually because they tend to be superficially driven by theatrical practicality and lack authenticity for the moment. Too often, the job of a director seems to be to find solutions to make things easy for the actor. I believe it is sometimes (mostly) the contrary: to present the actor with the difficult task. To create problems that must be continually confronted and confronted, not “solved.” To demand that the actor work through what must be done and not skim over it. Truth and Authenticity are not–and should not be–easy to come by.

First Rehearsal in Garden House

New levels to explore. | Photo: Omer Terrason

New levels to explore. | L-R: Sean Patrick Taylor, Carter Rodriquez, Samantha Routh, and Margaretta Campagna | Photo: Omer Terrason

 

The Vanya cast and crew moved into The Garden House Sunday for our first extended rehearsal with costumes, set, and props in the performance space.

The magic of this transition always inspires. Music breathes with new life. Performances reveal deeper nuance. And the air practically vibrates with the excitement that says, “This is happening.”